O‘ZBEKISTON TASVIRIY SAN’ATIDA TARIXIY JANR

Authors

  • Qutlug‘ Hamdamovich Inoyatov
  • Ulug‘bek Nasimovich Mamatov

DOI:

https://doi.org/10.37547/ssa-V4-I6-3

Keywords:

Museum, poet Alisher Navoi, scientist Hamid Suleymanov, artists, works of fine art, historical genre, spectator, people.

Abstract

The article examines the development of the historical genre of fine art in the culture of Uzbekistan in the second half of the twentieth century.

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References

Государственный музей литературы имени Алишера Навои. [Электронный ресурс].https://ru.wikipedia.org/wiki/Государственный_музей_литературы_имени_Алишера_Навои

Ахмедова Э.Р., Габидулин Р. Культурология мировая культура. – Т., 2001. с. 46.

Морган Т. Cultural and historical development of the society as the dynamic expression of the self-learning human existence. 2016 г.

Mamatov U.N. STUDY OF THREE PORTRAITS OF THE GREAT POET OF THE MIDDLE AGES, ALISHER NAVOI. — USE: Oscar Publishing Services, 2023. — ISSN – 2771-2141. — Р. 15-20

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Published

2024-12-01

How to Cite

Inoyatov, Q. H., & Mamatov, U. N. . (2024). O‘ZBEKISTON TASVIRIY SAN’ATIDA TARIXIY JANR . Art and Design: Social Science, 4(06), 9–12. https://doi.org/10.37547/ssa-V4-I6-3