VISUAL SOLUTIONS AND DECORATION IN UZBEK CINEMA: ANALYSIS OF THE FILMS "SHABNAM" "BEGONALAR" AND "CHOL VA NABIRA"

Abstract

This article analyzes the visual solutions, decoration, and artistic works of contemporary Uzbek cinema. Using the films "Shabnam," "Begonalar," and "Chol va nabira" as examples, it examines the harmony between national values and modern aesthetics. It analyzes how national identity and modernity are expressed through the creative approaches of the films' cinematographers and artists. Attention is paid to how the characters' personalities and inner worlds are revealed through decoration and costumes. The methods of creating the film atmosphere using natural environments and interiors are explored. The article discusses the role and development of visual aesthetics in Uzbek cinematic art.

Keywords

Uzbek cinema, visual solutions, decoration, artistry, national values, visual aesthetics, film analysis,