“DOMESTIC GROTESQUE IN THE WORKS OF ISOMIDDIN ESHONQULOV”

Abstract

This article provides an analytical evaluation of the works of Isomiddin Eshonqulov, a prominent figure in contemporary Uzbek painting, through an artistic-theoretical approach. While analyzing the artist’s well-known pieces such as “Melancholy,” “The Roof,” “Pressure,” and “Zumrad’s Braid,” the article explores the meaning of artistic irony, its conceptual layers, and its connection to social life.

Keywords

Isomiddin Eshonqulov, contemporary art, ironic image, social critique, artistic metaphor, Uzbek painting.