THE PECULIARITY OF THE NATIONALITY IN THE INTERPRETATION OF WOMEN'S IMAGE IN THE WORKS OF THE ARTIST KHURSHID ZIYAKHANOV

Authors

  • Zilolakhon ASKAROVA Doctor philosophy of art history (PhD) National Institute of Fine Arts and Design named after K. Behzod Tashkent, Uzbekistan

DOI:

https://doi.org/10.37547/ssa-V2-I3-05

Keywords:

nationality, tradition, woman

Abstract

In this article, artist H.Ziyahanov, who cherishes the rich historical heritage of our nation, draws on the disappearance of lost traditions and customs, including national dresses and folklore, through female images. but the essence of his works does not deviate from modern life.

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References

. Ahmedova NR Zhivopis Tsentralnoy Azii XX veka: traditsii, samobytnost, dialogue. - Tashkent: Art, 2004.

. Mahmudov T. Aesthetics and Duchess. - Tashkent: East, 1993.

Khakimov AA The art of Uzbekistan: history and modernity.- Tashkent: Art, 2010.

Khakimov AA Changes in Uzbek painting at the end of the 20th and beginning of the 21st century // ART. - Tashkent. 2015.

Khakimov AA The trajectory of the Uzbek Cup // ART. - Tashkent. 2003.

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Published

2022-06-29

How to Cite

Zilolakhon ASKAROVA. (2022). THE PECULIARITY OF THE NATIONALITY IN THE INTERPRETATION OF WOMEN’S IMAGE IN THE WORKS OF THE ARTIST KHURSHID ZIYAKHANOV. Art and Design: Social Science, 2(03), 15–18. https://doi.org/10.37547/ssa-V2-I3-05

Issue

Vol. 2 No. 03 (2022): Volume02 Issue03

Section

Articles

License

Copyright (c) 2022 Zilolakhon ASKAROVA

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.