FINGERS OF THE EMBROIDERER ARE LIKE THE FLEXIBLE WIRE OF A SKILLED JEWELER
DOI:
https://doi.org/10.37547/ssa-V4-I6-2Keywords:
culture, national clothing, ethnicity, evolution, Karakalpaks, folklore, originality, embroidery, kiymeshek, zhanse, shay kalta, epic, tamga, ornament.Abstract
This article provides a more detailed examination of the traditional embroidery of the Karakalpak people, its significance and meaning. It includes a brief study of the names of the embroideries and their history, the items in which they were used, and their application in modern products.
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References
T.A. Zhdanko. Folk Ornamental Art of the Karakalpaks. 1958.
www.karakalpaksclothes.ru/pdf
A. Allamuratov. Karakalpak Folk Embroidery. Nukus, 1977.
I.A. Karimov. Uzbekistan on the Threshold of the 21st Century: Security Threats, Conditions, and Guarantees of Progress. 1997.
Djanabaeva G.D. Aesthetics of Karakalpak Folk Embroidery. Author's Abstract (Moscow, 2003).
Article by Urazimova T.V. on the topic: "Decorative and Applied Art of the Karakalpaks."
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Copyright (c) 2024 Altin Kuatbayevna Utegenova
This work is licensed under a Creative Commons Attribution 4.0 International License.
