FINGERS OF THE EMBROIDERER ARE LIKE THE FLEXIBLE WIRE OF A SKILLED JEWELER
Abstract
This article provides a more detailed examination of the traditional embroidery of the Karakalpak people, its significance and meaning. It includes a brief study of the names of the embroideries and their history, the items in which they were used, and their application in modern products.
Keywords
culture, national clothing, ethnicity, evolution, Karakalpaks, folklore, originality, embroidery, kiymeshek, zhanse, shay kalta, epic, tamga, ornament.How to Cite
References
T.A. Zhdanko. Folk Ornamental Art of the Karakalpaks. 1958.
www.karakalpaksclothes.ru/pdf
A. Allamuratov. Karakalpak Folk Embroidery. Nukus, 1977.
I.A. Karimov. Uzbekistan on the Threshold of the 21st Century: Security Threats, Conditions, and Guarantees of Progress. 1997.
Djanabaeva G.D. Aesthetics of Karakalpak Folk Embroidery. Author's Abstract (Moscow, 2003).
Article by Urazimova T.V. on the topic: "Decorative and Applied Art of the Karakalpaks."
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Copyright (c) 2024 Altin Kuatbayevna Utegenova
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